Selected Bibliography
| Adams, Brooks. "Drawing on the Line": Hennessy's First Etchings. The Print Collector's Newsletter, Vol. XV No. 4, Sept. Oct. 1984, pp. 129 131. |
Adams, Brooks. Abstract Baroque, Art in America, Nov. 1990, 182 187.
 |
| Adams, Brooks. Review, Art in America, Dec. 1982, pp. 125 126. |
| Adams, Brooks. Hodgkin's Subtext, Art in America, May, 1996, p.125. |
| American Abstraction, exhibition catalogue, Gallery 700, Milwaukee, WI, 1980. |
| Anderson, Alexandra. Review, The Village Voice, March 14, 1977. |
| Ashbery, John. Review, Art News, Feb. 1970, p. 16. |
| Ashbery, John. Review, New York Magazine, Oct. 6, 1980. |
| Ashbery, John. Review, New York Magazine, Sept. 24, 1979. |
| Baker, E. Letters to the Editors, Wrongful Death, Art in America, June 2001, p.21. |
| Baker, E. On Nationality, Thirteen Artists, (Interview), Art in America, September 1991, p.124-131. |
| Bernier, Olivier. The Art at the Top of the Stairs, House and Garden, Nov. 1983, pp. 188-200.
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| Brenson, Michael. Review, The New York Times, Jan. 25, 1985. |
| Brenson, Michael. Review, The New York Times, Jan. 4, 1985. |
| Castle, Ted. Charles Ludlam: The Mating of Theater and Art, Artforum, Vol. XX, No.1, September, 1981, pp. 66-72. |
| Clough, Charles, et al. Where the Meaning Begins, panel discussion, Tema Celeste, April-May, 1992, pp. 46-53. |
| Crimp, Douglas. On the Museum's Ruins, MIT Press, 1993, pp. 93-94 |
| Crimp, Douglas. The End of Painting, October, vol. 16, Spring, 1981, pp.69-86. |
| de Coppet, Laura; and Jones, Alan. The Art Dealers, Clarkson N. Potter, Inc. 1984. |
| du Pont, Diana C. et. al. San Francisco Museum of Modern Art, the painting and sculpture collection. Hudson Hills Press, N. Y. 1985. |
| Duncan, Michael. Abstract Compounds, Art in America, March, 1993, pp.94-124. |
| Duncan, Michael. New Worlds of Colour, Modern Painters, Spring 2000, pp. 92-93.
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| Forster, Hal. A Tournament of Rose's, Artforum, Nov. 1979, pp. 62 67. |
| Glueck, Grace. Review, The New York Times, 25 Nov. 1983. |
| Glueck, Grace. various artists discuss Picasso, The New York Times, June 22, 1980. |
| Goodman, Cynthia; and Scott, Christopher. Interview, Arts, June 1978, pp. 124 125. |
| Harkavy, Donna; and Luntz, Holden. The Continuing Tradition of |
| Harris, Susan A. Review, Arts, Nov. 1982, p 58. |
| Henry, Gerrit. Review, ARTnews, Dec. 1980, p.204. |
| Hunter, Sam, et. Al. NEW DIRECTIONS, Contemporary American Art from the Commodities Corporation Collection, catalogue for touring exhibition, Dec. 9, 1981 March 13, 1983. |
| Huntington, Richard. Interview, The Buffalo News, Dec. 14, 1986. |
| Huntington, Richard. Review, The Buffalo News, Jan. 1986. |
| Huntington, Richard. Review, The Buffalo News, March 23, 1991. |
| Huntington, Richard. Review, The Buffalo News, May 6, 1988. |
| Jassaud, Gervais, et al. Global Books: Les Livres d'Artiste de Gervais Jassaud, Ville de Reims, Illus. pp. 26-27 |
| Kaufman, David. From the Ridiculous to the Sublime, Interview, December, 1989, pp.78-120. |
| Kaufman, David. Ridiculous! The Theatrical Life and Times of Charles Ludlam, Applause Books, New York, 2002. See index. |
| Ketner II, Joseph D. Painterly Abstraction, Four Views for the 1980's, exhibition catalogue, Fort Wayne Museum of Art, Indiana, Feb. 5 March 14, 1982. |
| Kramer, Hilton. Review, The New York Observer, December 30, 1991. |
| Kramer, Hilton. Review, The New York Times, Sept. 19, 1980. |
| Larson, Kay. Review, New York Magazine, April 25, 1983. |
| Larson, Kay. Review, New York Magazine, January 27, 1992. |
| Lee, Marshall, editor. Art at Work, The Chase Manhattan Collection, E. P. Dutton, Inc., New York, 1984. |
| Levin, Gail and Tick, Judith. Aaron's Copland's America, Watson-Guptill |
| Liebmann, Lisa. The Imagination in Sheep's Clothing, Artforum, April 1986, pp.76 81. |
| Mannheimer, Steve. Review, The Indianapolis Star, Jan. 29, 1989. |
| Masheck, Joseph, editor. Page of letters about What's All This About Photography, Artforum, vol. XVIII, No.1, September, 1979, p.80. |
| Masheck, Joseph, et. Al. Critical Perspectives, exhibition catalogue, P.S. 1, Long Island City, NY Jan. 17 March 14, 1982. |
| Mason, Christopher. Artful mix, Elle Décor, October-November 1997, pp.262-269. |
| Maynard, Patrick. Thinking Through Photography: The Engine of Visualization, Cornell University Press, 1997, p. 291 |
| McCready, Eric. New American Painting: A Tribute to James and Mari Michener, exhibition catalogue, Archer M.Huntington Art Gallery, University of Texas, Austin, Jan. 12 March 5, 1983. |
| Myers, John Bernard. Tracking the Marvelous: A Life in the New York Art World, Random House, New York, 1983, p. 222. |
| Nabokov, Dominique. A weeklong electronic journal (Arts and Life). December 10, 2003. MSN, Slate. |
| Penny, Nicholas. "Top Brands Today," London Review of Books, December 14, 2017
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| Plagens, Peter. Review, Newsweek, January 13, 1992. |
| Pollack, Howard. Aaron Copland, Norton, New York, 1999, see index. |
| Publications, New York, 2000. See Index. |
| Ratcliff, Carter. Review, Art in America, May/June 1977, pp.113 114. |
| Ratcliff, Carter. Review, Art International, April, 1970, p.70. |
| Ratcliff, Carter. "A Conversation" (with Richard Hennessy), The Sienese Shredder, 2008. pp. 106-122
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| Raynor, Vivien. Review, The New York Times, Oct. 24, 1982, New Jersey ed. |
| Raynor, Vivien. Review, The New York Times, Sept. 26, 1982. |
| Rose, Barbara, et. Al. The End of an Era?, The Beginning of Another, The Journal of Art, Jan. 1991, p.49. |
| Rose, Barbara. American Painting: the Eighties, catalogue of touring exhibition, 1979. |
| Rose, Barbara. Miro in America, exhibition catalogue, The Museum of Fine Arts, Houston, Texas, April 21 June 27, 1982. |
| Rosenbaum, Lee. Getting Smart About Art, Money, Nov. 1982, pp.201 206. |
| Russell, John. Art People, The New York Times, Dec. 29, 1978. |
| Russell, John. Review, Miro in America, The New York Times, June 13, 1982. |
| Russell, John. Review, The New York Times, August 10, 1984. |
| Russell, John. Review, The New York Times, December 22, 2000. |
| Russell, John. Review, The New York Times, June 19, 1981. |
| Sandler, Irving. Art of the Post-Modern Era, from the late nineteen sixties to the early nineteen nineties, Icon Editions, New York, 1997, p.350. |
| Schiff, David. In An Ugly Century, A Place For The Merely Beautiful, New York Times, November 22, 1992, p.25. |
| Schjeldahl, Peter. Review, The Village Voice, January 21, 1992. |
| Schjeldahl, Peter. Review, The Village Voice, March 9, 1982. |
| Schwabsky, Barry. After the Great Separation: On One Tendancy in Recent Abstract Painting and its Background, Arts, Nov. 1985, pp. 22 25. |
| Schwabsky, Barry. Review, Artscribe, June/July, 1986, pp. 76 77. |
| Scott, Christopher. The Art of Edward Avedisian and Richard Hennessy, exhibition catalogue, Grey Art Gallery, New York University, Feb 1 March 4, 1977. |
| Smith, Roberta. Review, Art in America, Oct. 1979, pp.122 123. |
| Smith, Roberta. Review, The New York Times, January 10, 1992 |
| Smith, Roberta. Review, The Village Voice, Sept. 28, 1982. |
| Wallach, Amei. Review, New York Newsday, January 17, 1992. |
| Westfall, Stephen. Review, Art in America, April, 1985, pp. 202 204. |
| Yau, John. Look Up And live: The Recent Paintings of Richard Hennessy, Arts, December, 1983, pp. 122 123.
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| Yau, John. Review, Art in America, November, 1980, p. 141. |